In every film, in every image, there is something that fascinates us, that settles in our memory waiting for to be elaborated again, brought to the light of the knowledge. "6 frame" cut-uncut is a way of discussing and to speak around the cinema. He/she perhaps answers to the need to focus our attention on small moments of a film; brief sequences that have the strength to solicit ours - and personal - imaginary and our desire to block the eyes in front of to flow some images.
We propose here a way of doing criticism that keeps in mind of the memory, that at times him indelible fà, of certain moments of cinema.
Do our reflections want to concern both the real critical aspect but also to be I sprout of moments of reflection that they don't perhaps concern the cinema but to concern the reality..... But is not perhaps the cinema the life to 24 frames to the second?. ours to tighten the life to 6 frames is its division for better seeing! PERHAPS....